Tesine
Sono qui riportati alcuni articoli su riviste scientifiche che possono
essere studiati per l'esame.
Per chi fosse interessato ad altri argomenti, sono riportate sotto le
riviste da cui si trarre un articolo da studiare per l'esame. Queste riviste sono
disponibili in biblioteca del dipartimento e sono (quasi tutte) on-line
al
dipartimento.
In ogni caso la scelta deve essere concordata a voce ( e NON via mail ) con il docente.
Articoli scientifici proposti
- Aucouturier Jean-Julien and Pachet François , Representing
Musical Genre: A State of the Art, Journal of New Music Research, Vol.
32, No. 1, pp. 83–93, 2003. [abstract
]
- Bartsch M.A., Wakefield G.W., Singing Voice Identification Using
Spectral Envelope Estimation, IEEE Transactions on Speech and Audio
Processing, vol.. 12, n. 2, pp. 100-109, March 2004 [ abstract ]
- Cho, S.-B, Emotional Image and Musical Information Retrieval With
Interactive Genetic Algorithm, Proceedings of the IEEE, vol. 92, n. 4,
p. 702-710, april 2004 [ IEEE on line ] [abstract]
[pdf]
- Dixon, D., “Automatic Extraction of Tempo and Beat from
Expressive Performances,” Journal of New Music Research 30 (1), 39-58,
2001.
- Florens J.L:, Cadoz C., "The physical Model, Modelisation and
Simulation Systems of the Instrumental Universe", In Representations of
Musical Signals. G. De Poli, A. Picciali, C. Roads, Ed. MIT Press,
1991. [biblioteca DEI]
- Goto, M. 2001. ‘‘An Audio-Based Real-Time Beat Tracking System
for Music with or without Drum-Sounds.’’ Journal of New Music Research
30:159–171.
- Klapuri A., Multiple Fundamental Frequency Estimation Based on
Harmonicity and Spectral Smoothness, IEEE Transactions on Speech and
Audio Processing, vol.. 11, n.. 6, pp. 804-816, 2003 [ abstract ]
- Kostek, B. and Czyzewski, A. Representing Musical
Instrument Sounds for Their Automatic Classification. J. Audio Eng.
Soc., 49(9), 768–785, 2001..
- Noll, P., "MPEG Audio Coding
Standards", IEEE Signal Processing Magazine, Sept. 1997.
- Peretz, I., Listen to the
brain : The biological perspective on musical emotions. In, P. Juslin
& J. Sloboda (Eds.), Music and
Emotion: Theory and Research. Oxford University Press, pp.105-134, 2001
- Pikrakis A., S. Theodoridis, D. Kamarotos, “Recognition of
isolated musical patterns using context dependent dynamic time
warping”, IEEE Transactions on Speech and Audio Processing, vol. 11(3),
May 2003
- Raphael C., Synthesizing Musical Accompaniments With Bayesian
belief networks, Journal of New Music Research, Vol. 30, No. 1, pp.
59–67, 2001 [abstract ]
- Rolland, P. ‘Discovering patterns in musical sequences’,
Journal of New Music Research, 28 (4), 334–350, 1999.
- Temperley D. and D. Sleator, “Modeling Meter and Harmony: A
Preference-Rule Approach,” Computer Music Journal, 23(1), 10–27, Spring
1999. [ abstract ]
- Tzanetakis, G., and P. Cook. ‘‘Musical Genre Classification
of Audio Signals.’’ IEEE Transactions on Speech and Audio Processing
10, n. 5, pp. 293–302. 2002. [abstract
]
- Zatorre, Music and the brain, Annals of New York Acadeny of
Sciences, vol
999, pp. 4-14, 2003. [in biblioteca del DEI]
- SOUNDING OBJECTS
- Gaver, W. W. (1993). What in the world do we hear? An
ecological approach to auditory source perception. Ecological
Psychology, 5 (1): 1-29.
- Gaver, W. W. (1993). How do we hear in the world? Explorations
of ecological acoustics. Ecological Psychology, 5(4): 285-313.
- D. Rocchesso, R. Bresin, M. Fernstrom (2003). Sounding objects.
IEEE Multimedia, 10(2): 42-52.
- K. van den Doel, P. G. Kry and D. K. Pai (2001) FoleyAutomatic:
Physically-based Sound Effects for Interactive Simulation and
Animation. Computer Graphics (ACM SIGGRAPH 2001 Conference
Proceedings), August 2001.
- SOb Chapters??
- AUDIO SIGNAL PROCESSING
- A. Fettweis. Wave Digital Filters: Theory and Practice. Proc.
IEEE, 74(2):270 327, Feb. 1986.
- T. I. Laakso, V. Valimaki, M. Karjalainen, and U. K. Laine.
Splitting the Unit Delay Tools for Fractional Delay Filter Design. IEEE
Sig. Process. Magazine, 13(1):30 60, Jan. 1996.
- SPATIAL EFFECTS
- W. G. Gardner. Reverberation Algorithms. In M. Kahrs and K.
Brandenburg, editors, Applications of DSP to Audio and Acoustics, pages
85 131. Kluwer Academic Publishers, 1998.
- J. A. Moorer. About This Reverberation Businness. Computer
Music J., 2:13 28, 1979.
- D. Rocchesso and J. O. Smith III. Circulant and Elliptic
Feedback Delay Networks for Artificial Reverberation. IEEE Trans.
Speech Audio Process., 5(1):51 60, Jan. 1997. Available at
http://www-ccrma.stanford.edu/~jos/cfdn/.
- PHYSICAL MODELS
- M. E. McIntyre, R. T. Schumacher, and J. Woodhouse. On the
Oscillations of Musical Instruments. J. Acoust. Soc. Am., 74(5):1325
1345, Nov. 1983.
- J. O. Smith III. Principles of Digital Waveguide Models of
Musical Instruments. In M. Kahrs and K. Brandenburg, editors,
Applications of DSP to Audio and Acoustics, pages 417 466. Kluwer
Academic Publishers, 1998.
- AUDIO AND MULTIMEDIA
- K. Tadamura and E. Nakamae. Synchronizing Computer Graphics
Animation and Audio. IEEE Multimedia, 5(4):63 73, Oct. 1998.
Journals
- IEEE Transaction on Speech and Audio Processing
- IEEE Transaction on Multimedia
- Journal of New Music Research [indice]
- Computer
Music Journal
- Journal of Audio Engineering Society
- Journal of Acoustical Society of America
Congressi